Saturday, April 7, 2012

A Poem about Mirror Neurons...

ELIZABETH BEAM

ABOUT ME
There are cells in my brain
that respond the same way
to what I do as what I see you do.
When you speak, it’s like my lips are parting,
mouthing the phonemes
in parting from your lips.
When you tell me about yourself,
I live the times you fell from an oak tree,
you swam in the ocean,
you first tasted red wine.
You call up the memory,
and like you, I fall inside it,
swim around in it, taste it.
I feel your arm breaking.
We choke up salty water,
the alcohol dark as blood. We can use this.
Let’s say I lose my arm,
clipped off to a stump at the shoulder—
as I watch you itch yours,
my phantom pain diminishes.
The boundary between us
is not a shade, a crack,
a crossed line—it’s a mirror.
So, you are reading this to
learn something about me?
How about you tell us both
some more about yourself.
 
--Elizabeth Beam

Wednesday, March 28, 2012

Sunday, March 18, 2012

The Neuroscience of Fiction

Hi all,

See this article in the NY Times, The Neuroscience of Fiction. Incredibly pertinent for this week's readings.

best,
NP

Sunday, February 12, 2012

On Edgar Huntly

Hi all,

 Here's a link to a plot summary of Edgar Huntly on Wikipedia as names and story-line can get somewhat confusing amidst the barrage of gothic sensibility, sleep-walking, and dastardly deeds.


best,
NP

Elizabeth Bishop & Multisensory Imagery

 At the Fishhouses






  Although it is a cold evening,
down by one of the fishhouses
an old man sits netting,
his net, in the gloaming almost invisible,
a dark purple-brown,
and his shuttle worn and polished.
The air smells so strong of codfish
it makes one's nose run and one's eyes water.
The five fishhouses have steeply peaked roofs
and narrow, cleated gangplanks slant up
to storerooms in the gables
for the wheelbarrows to be pushed up and down on.
All is silver: the heavy surface of the sea,
swelling slowly as if considering spilling over,
is opaque, but the silver of the benches,
the lobster pots, and masts, scattered
among the wild jagged rocks,
is of an apparent translucence
like the small old buildings with an emerald moss
growing on their shoreward walls.
The big fish tubs are completely lined
with layers of beautiful herring scales
and the wheelbarrows are similarly plastered
with creamy iridescent coats of mail,
with small iridescent flies crawling on them.
Up on the little slope behind the houses,
set in the sparse bright sprinkle of grass,
is an ancient wooden capstan,
cracked, with two long bleached handles
and some melancholy stains, like dried blood,
where the ironwork has rusted.
The old man accepts a Lucky Strike.
He was a friend of my grandfather.
We talk of the decline in the population
and of codfish and herring
while he waits for a herring boat to come in.
There are sequins on his vest and on his thumb.
He has scraped the scales, the principal beauty,
from unnumbered fish with that black old knife,
the blade of which is almost worn away.

Down at the water's edge, at the place
where they haul up the boats, up the long ramp
descending into the water, thin silver
tree trunks are laid horizontally
across the gray stones, down and down
at intervals of four or five feet.

Cold dark deep and absolutely clear,
element bearable to no mortal,
to fish and to seals . . . One seal particularly
I have seen here evening after evening.
He was curious about me. He was interested in music;
like me a believer in total immersion,
so I used to sing him Baptist hymns.
I also sang "A Mighty Fortress Is Our God."
He stood up in the water and regarded me
steadily, moving his head a little.
Then he would disappear, then suddenly emerge
almost in the same spot, with a sort of shrug
as if it were against his better judgment.
Cold dark deep and absolutely clear,
the clear gray icy water . . . Back, behind us,
the dignified tall firs begin.
Bluish, associating with their shadows,
a million Christmas trees stand
waiting for Christmas. The water seems suspended
above the rounded gray and blue-gray stones.
I have seen it over and over, the same sea, the same,
slightly, indifferently swinging above the stones,
icily free above the stones,
above the stones and then the world.
If you should dip your hand in,
your wrist would ache immediately,
your bones would begin to ache and your hand would burn
as if the water were a transmutation of fire
that feeds on stones and burns with a dark gray flame.
If you tasted it, it would first taste bitter,
then briny, then surely burn your tongue.
It is like what we imagine knowledge to be:
dark, salt, clear, moving, utterly free,
drawn from the cold hard mouth
of the world, derived from the rocky breasts
forever, flowing and drawn, and since
our knowledge is historical, flowing, and flown.


Elizabeth Bishop

Wednesday, February 8, 2012

useful databases

Hi all,

In class, I mentioned three databases of interest for those wanting to hunt down historical source material: 1) Metaphors of Mind; 2) Eighteenth-Century Collections Online (ECCO); and 3) Early English Books Online (EEBO).

Metaphors of Mind: http://metaphors.lib.virginia.edu/

Eighteenth-Century Collections Online (ECCO) & Early English Books Online (EEBO):
http://libguides.lib.msu.edu/content.php?pid=94439&sid=705980. 

If this link won't work, go to MSU libraries and search for ECCO in the "search website" box. You'll reach a website that will link you to both ECCO and EEBO.

best,
NP     


Sunday, February 5, 2012

Poems on Reading | Detached Thoughts on the Love (and Pleasures) of Books

She Collected Dictionaries

She Collected Dictionaries
as other women take up men
and shelve them:
manuals, grammars, Teach Yourself
German, Malay, Italian, Swahili, Welsh,
like a passion for clothes that would hang
unworn in the dark,
for peridots, garnets, amethysts, pearls
in a shut case, nouns declined.
Each unknown word shone with delicious fire
and the alien phrases silked her skin
with their genders and connotations.
She might have been the end house
on the waterfront of Macau
welcoming every sailor in.
But the longing for many tongues
to part her lips – si, igen, ja,
ah oui, yes, yes –
was departure’s smile,
a leaning to the wind
that sweeps a glitter of light
across the sea and sets a silvery chill
at the neck. Quick, to those books
guarding the mantelpiece,
ISBNs snug as a span of days;
to bread and fruit and sparkling wine.
She had been given a cyclamen with scent,
some new trick that married violet and rose,
as if a flower should yearn to sing
and the pink timbre tremble
into quietest words.
She touched her flesh and knew
that it would fade as speech did
and did not.
And yet it was not language that she sought,
nor the music of any meaning.
An old allegiance drew her on
beyond the first ground of thought
and the idea even of silence
to the fifth season which must at last return
with its weather of recognition
and its lost ends.

from Jan Owen, "The Return"

In the Reading Room

By David Ferry                                                           
                                        
Alone in the library room, even when others
Are there in the room, alone, except for themselves:
There is the illusion of peace; the air in the room

Is stilled; there are reading lights on the tables,
Looking as if they're reading, looking as if
They're studying the text, and understanding,

Shedding light on what the words are saying;
But under their steady imbecile gaze the page
Is blank, patiently waiting not to be blank.

The page is blank until the mind that reads
Crosses the black river, seeking the Queen
Of the Underworld, Persephone, where she sits

By the side of the one who brought her there from Enna,
Hades the mute, the deaf, king of the dead letter;
She is clothed in the beautiful garment of our thousand

Misunderstandings of the sacred text.
               
           
                                               

reading

By joanne burns                                 
                             
                             
             there were so many books. she had to separate them to avoid being overwhelmed by the excessive implications of their words. she kept hundreds in a series of boxes inside a wire cage in a warehouse. and hundreds more on the shelves of her various rooms. when she changed houses she would pack some of the books into the boxes and exchange them for others that had been hibernating. these resurrected books were precious to her for a while. they had assumed the patinas of dusty chthonic wisdoms. and thus she would let them sit on the shelves admiring them from a distance. gathering time and air. she did not want to be intimate with their insides. the atmospherics suggested by the titles were enough. sometimes she would increase the psychic proximities between herself and the books and place a pile of them on the floor next to her bed. and quite possibly she absorbed their intentions while she slept.

           if she intended travelling beyond a few hours she would occasionally remove a book from the shelves and place it in her bag. she carried ‘the poetics of space’ round india for three months and it returned to her shelves undamaged at the completion of the journey. every day of those three months she touched it and read some of the titles of its chapters to make sure it was there. and real. chapters called house and universe, nests, shells, intimate immensity, miniatures and, the significance of the hut. she had kept it in a pocket of her bag together with a coloured whistle and an acorn. she now kept this book in the darkness of her reference shelf. and she knew that one day she would have to admit to herself that this was the only book she had need of, that this was the book she would enter the pages of, that this was the book she was going to read 


On First Looking into Chapman's Homer

By John Keats
 
Much have I travell'd in the realms of gold,
   And many goodly states and kingdoms seen;
   Round many western islands have I been
Which bards in fealty to Apollo hold.
Oft of one wide expanse had I been told
   That deep-brow'd Homer ruled as his demesne;
   Yet did I never breathe its pure serene
Till I heard Chapman speak out loud and bold:
Then felt I like some watcher of the skies
   When a new planet swims into his ken;
Or like stout Cortez when with eagle eyes
   He star'd at the Pacific—and all his men
Look'd at each other with a wild surmise—
   Silent, upon a peak in Darien.